
Radio & Podcast Class – Find Your Voice. Press Publish.
With the emergence of online radio stations and music platforms, modern day technology allows people to host their own radio show or podcast from the comfort of their home. So whether you're a DJ, a producer or even a complete beginner, this course has everything you need to produce and sell your own radio show or podcast. If you make the grade after assessment, you will be invited to host a guest spot on Wild1 Radio, which could lead to a permanent radio show. To learn more and request information on the schedule, click here.
In Chicago, the city that gave the world house music, the Radio & Podcast Class runs the way it does everywhere we teach: small groups, hands-on, with working producers as instructors. If getting to the studio is not practical, the same sessions run live online, using our specialist music collaboration software, Muse. Discover qualities that distinguish us, here.
“Your SDP course is awesome. Perfect for DJs who want to take that all-important leap to produce their own music”
Audiofly
If you make the grade at assessment, you can guest on Wild1 Radio, potentially leading to a regular show.
Yes - copyright regulations are covered in the introduction module.
Music transitions, playlist building, cue points, and radio/DJ tags.
Both - "Building Your Show" covers finding your format, writing an outline, and choosing topics, alongside all the technical recording and mixing skills.
18 hours as a group course, or 11 hours 1-on-1.
$799 + $100 Registration if booked 14 days before start or $999 + $200 Registration
The loudness wars, and a simple two-step technique that keeps a mix from getting crushed flat.
Read →A Kontakt instrument built from struck and bowed metal - ethereal textures and tonal percussion, with a Forge morph knob for blending presets.
Read →Rebel Sonix's Larry Holcombe on the basics of dubstep production - where the wobble bass comes from, and how to build one in Massive or the ES2.
Read →Dance Music Production - Creative vs. Technical by Steve Powell What does it take to make a record in terms of equipment? A four track? A Mac Pro? An SSL4000E? What people use and how they use is of course crucial to the quality and type of dance music production that’s made. The equipment heavily d
Read →Sampling Frequencies & Bit Rates: 96 v 44.1Khz & 24 v 16bit by Stephen Powell I had a conversation recently with a guy who described himself as a “glitch-dubstep-lo-fi composer” He went on to describe a couple of his tracks which turned out to be pretty much what you might expect from such a descrip
Read →A ground-up tour of the Logic Pro control bar - the Library, Inspector, Smart Controls, Mixer and Editors - with a demo project to practise on.
Read →