
Electronic Music Production Class – Design Sounds. Build Tracks.
“The course was very enjoyable, challenging, and fulfilling. The Garnish School is a great space to learn the fundamentals essential to becoming a strong, well-developed music producer. The instructors took the time to teach & explain complex software techniques, and designed special classes to illustrate specific aspects of music making, and vocal recording techniques. The instructors were varied in their careers & producing styles, making for well-rounded instruction. The instructors were fun to engage with and were interested in building the students and our experiences. I'm so happy this school came to LA from London, and that I made the commitment to complete this course. I feel ready to jump forward and continue working on my music. Thanks to all the Garnish instructors and to Dave for creating this fantastic school!”
Spencer Barnes @jaemisson
Yes. The Electronic Music Production Class can be taught one-to-one, in person in Chicago or online, built around your own projects - ask admissions about private instruction.
An advanced run-through of industry-leading soft synths, drum programming in depth, tone, processing and resampling, sound choice for your genre, and the arrangement techniques that make a whole song.
The Electronic Music Production Class runs 36 hours. Tuition at Garnish Chicago: 36 Hours - In-Person: $1199 - 33% off for Online Remote Attendance.
You should be comfortable in one already; this is about the music, not the software.
Yes. The Electronic Music Production Class runs in person at Garnish Chicago and live online in the same sessions, using our music collaboration software, Muse - you join whichever suits you.
Yes - the course closes with a collaboration project, learning to work with other producers the way records actually get made.
The Beats mode is particularly useful for rhythmic material, while the Tones and Texture modes can create more abstract, atmospheric or also gated sounds.
Read →Live will import video, show it while you work, and export it with your audio. Enough to score a short film, cut a trailer, or sync a set to visuals.
Read →What goes in the bag, matching the last DJ's levels, reading a room, the backup playlist, stage presence, and the rules for going back-to-back.
Read →Unlike what we’ve seen in Analog that only uses a few basic waveforms as a source, Wavetable has two special type oscillators that contain hundreds of…
Read →Set the key once and the whole set follows - the note editor, the devices, the browser. Plus what to do when equal temperament is not what you want.
Read →Why a USB that worked last week won't load tonight, carrying CDJ firmware on your stick, saving My Settings, and the drill that makes the screen optional.
Read →