
360° Electronic Music Academy – Go Deep. Go Pro.
Over 360 hours of instruction + Studio Time | $14,999 + $500 registration fee ($200 if 14 days before start)
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In Chicago, the city that gave the world house music, the 360° Electronic Music Academy runs the way it does everywhere we teach: small groups, hands-on, with working producers as instructors. If getting to the studio is not practical, the same sessions run live online, using our specialist music collaboration software, Muse. Discover qualities that distinguish us, here.
“This kind of material and skill needs to be well TAUGHT. The instructors were excellent teachers and mentors. They are very passionate about the craft - and are extremely knowledgeable as well as experienced. But they also are very good at articulating the lessons and passing along that wisdom so we can learn... The course was an excellent mix of discussion as well as hands-on training. The instructors also set an exceptional tone for our classroom and created an environment that was motivating and optimal for learning. Great job!”
Eugene KirillovAlan Guno
The 360° Electronic Music Academy runs 360 hours. Ask admissions at Garnish Chicago for the current dates and tuition.
Our Electronic Music Academy: a programme that takes a beginner through everything they need to know to make the music they love, in classes kept small for focused learning, supported by Ableton, Native Instruments and Apple.
Yes. The 360° Electronic Music Academy runs in person at Garnish Chicago and live online in the same sessions, using our music collaboration software, Muse - you join whichever suits you.
No. It starts by getting you fluent in your production software.
Set the key once and the whole set follows - the note editor, the devices, the browser. Plus what to do when equal temperament is not what you want.
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Read →Convolution and algorithmic reverb in one device, blended. Real spaces for the early reflections, a synthetic tail behind them - and why that combination sounds better than either alone.
Read →How to play a recorded 40-minute set like a gig, and the etiquette that gets you booked again: arrive early, respect the slot, and hand over without dead air.
Read →Why MIDI is never perfectly tight, which parts of the chain Live controls and which it does not, and what to do about the ones it does.
Read →